The future of publishing is here today!

wire-sewing machine

The oddest thing about the newly announced winner of Bookseller magazine’s annual Diagram Prize for Oddest Book Title of the Year is not its title, The 2009–2014 World Outlook for 60-Milligram Containers of Fromage Frais, but rather that its author, Professor Philip M Parker of the French business school Insead, has produced more than 200,000 books,

thanks to his invention – and patenting – of a machine which writes books, creating them from internet and database searches in order to eliminate or substantially reduce “the costs associated with human labour, such as authors, editors, graphic artists, data analysts, translators, distributors and marketing personnel”.

I think the graphic artist–eliminating part of the machine may need a bit of work, since if the competition had been based on covers rather than titles, I feel certain that Fromage Frais, for all its charm, would have lost out to either Techniques for Corrosion Monitoring or Curbside Consultation of the Colon, which were merely shortlisted.

The 2009–2014 World Outlook for 60-Milligram Containers of Fromage Frais Techniques for Corrosion Monitoring Curbside Consultation of the Colon

More: “Oddest Book Title prize goes to treatise on fromage frais” by Alison Flood, Guardian, March 27, 2009

Big Is Beautiful

la-rge-type

I like getting to play Dear Abby! Though lately my responses read less like sage advice and more like columns by The Non-Expert—only not funny. Yesterday Sarah wrote with some questions:

Since 2002, I have been editor for our local historical society’s 20-page quarterly. When I first started, I did it in an old version of WordPerfect and (you’ll laugh) actually cut and pasted together the booklet and took it to our local printer.

Then I got slightly more high tech and started producing PDFs from the WordPerfect files.

The next thing was a switch to the Atlantis program, which produces .rtf files, from which I made PDFs to send to our local printer.

So, I still have all the old .wpd and .rtf files.

The historical society is now interested in taking the old issues, indexing them, and publishing the old issues in books (putting several together per volume) or perhaps just putting the old issues online.

However, there is not much of a budget for new software. The new software would need to do indexing and be able to handle endnotes and read the old files.

I am looking at Serif Page Plus and SoftMaker’s TextMaker. Have you heard anything pro or con or about these programs?

As a side issue — I am also looking into producing Large Print versions of documents. It seems that there are all sorts of standards that different organizations have for producing large print books. Do you have any advice for what standard to use, and how to handle graphics for large print books (obviously the graphics need to be bigger, but I don’t know how much).

Continue reading “Big Is Beautiful”

Attn.: InDesign Salvage Operations Team

Relief workers inspect smashed carriages after railway accident at Camp Mountain, Queensland

Justin asks,

do you have any tips for recovering “damaged” files?

when i try to open a layout i was just working on, it prompts me to fix the file from recovered data, then notifies me that the file may be damaged; it starts to recover, but then the program quits altogether.

[. . .] if there’s no easy solution, this means a ton of work lost … are you familiar with this quandary? any suggestions?

Anyone? Anyone? I haven’t experienced this in a long time, so my response was vague:

. . . the first thing to try would probably be moving your preferences folder to the desktop and forcing InDesign to rebuild it. That’ll get the program to launch properly, at least, and then maybe you can recover the file from there. Details:
InDesign Secrets: Rebuilding InDesign Preferences.

The second option would be trying to get someone at Adobe to look at it, by posting a query on the forums. Sometimes they respond pretty quickly.

Finally, if the time you’d lose redoing everything would be worth $99,
you could send the document to Markzware for their voodoo file rescue
service: Markzware blog: Fix your Bad Adobe InDesign Files!

Other suggestions? If the file could be opened, I’d say export to .inx; that cures a lot of ills. When you can’t open it, though, I dunno.

I should also mention here that perhaps one reason this hasn’t happened to me in a long time is that I regularly create new save-as versions while I work—foo(1).indd → foo(2). indd → foo(2b).indd (a variant I’m not sure about) → etc. Doing a “save as” compresses the file, and I feel in my heart that it removes a lot of potentially corrupting gunk and thereby keeps my files more stable. Having snapshots of all those previous stages also makes it easier to roll back parts of a file, selectively.

An aside: Does anybody out there use Version Cue? I’ve never bothered. Does it help with this kind of stuff at all?

In like a lion, out like a lamb

lion and lamb

I spent a ridiculous amount of time yesterday converting two files: one Quark XPress 6 document to InDesign CS4, and one WordPerfect document to MS Word 2004. Part of the time-suck was because my apartment is disorganized and I couldn’t, um, find one of my laptops. Most of it, though, was because I’ve forgotten a lot of my old file-conversion juju.

I used to have to jump through these kinds of hoops all the time, salvaging manuscript files that had been prepared in weird old programs on MS-DOS or whatever. But since I drifted out of the exciting world of typesetting, I haven’t had to convert a lot of texty documents. Video, audio, and image files, yes, but not so much with the text.

So, in case anybody else has forgotten or never knew how to do this stuff, here’s what I had to relearn yesterday.
Continue reading “In like a lion, out like a lamb”