For those of you who don’t have Illustrator CS2 (or an ancient copy of Adobe Streamline), Cathi Stevenson points out that there’s an open-source program that will convert your bitmaps to vector art: Inkscape. It’s available for Linux, Windows 2000/2003/XP, and OS X (with X11 installed—this is on the Tiger disk somewhere).
I could have used this often at my last job, where I was stuck with Illustrator CS. Instead, I either e-mailed files to my personal account so I could convert them at home (if I had time) or traced them by hand (if I didn’t).
Has anybody tried Inkscape besides Cathi? I’ve downloaded it but haven’t got X11 set up yet.
Photo: Hand with a quill pen by Barbara Smith; some rights reserved.
After all my whining and demanding of assistance, I’m sure you’ll be relieved to know that I finally commissioned my first illustration, and it is now online, live, in brilliant RGB:
This hot, hot pixel-on-screen action was produced by the multitalented and genial Aaron Artessa, whom I met at the club. It’ll be on the home page for only one week, so see it in its glory while you can. Next Tuesday, it will be replaced by the fruit of my second go at working with an illustrator.
Art director–turned–illustrator Penelope Dullaghan, whose name I previously knew only from Illustration Friday, has a series of five posts up at Sessions.edu’s Notes on Design blog about The Unfolding of an Illustration Project.
So the way it starts is usually with your assignment. And you get this little sensation in the back of your brain that makes you think: “Boy, an illustration would be perfect for this!” (I agree, it would!) And so you set out to look for the perfect illustrator for the job.
. . .
Then you tell us about the project: timeline, your ideas, the client’s ideas, (or that you have NO ideas… we can help there, too), the budget, etc. And we’ll be pleasant on the phone and say yes, we’d love to work with you. (See, aren’t we nice?)
She gives a brief walkthrough of the process for a typical job. Too brief, in my opinion, but better than nothing, for an ignoramus like me.
I guess I’d like to see something like a series of checklists—“What you need to figure out before you contact an illustrator. How to help illustrators help you. How not to be the client from hell.” Optimized for short attention spans and messy desks.
I’ve got my own hunches and SWAGs, of course, but surely somebody has already rounded the corners off this wheel, no? Is it in the GAG guide? Because I sure don’t have one of those. Is it worth having? My impression of that book has always been that it’s for designers who work in Fantasy Land. Like, I’ve never met anyone who actually gets paid what GAG says is the going rate for stuff, and I’ve gotten absolutely blank looks whenever I’ve tried to refer to what they say is called trade custom. Does this perceived lack of relevance merely reflect the seedy circles I’ve been running in? Should I be sleeping with a copy under my pillow?
Photo: Origami Gecko by /kallu; some rights reserved.
And speaking of directing art, tell me your trade secrets!
- Where do you go to find free or nonspendy photographs?
- How do you get ideas for photographs to illustrate stories that are, let’s say, totally and completely nonvisual? Are there tricks you use when you’re wholly uninspired?
- How do you find that photo that you know exists but that’s just refusing to come up, no matter what keywords you use to search for it?
- Where do you go to find illustrators?
- How much guidance do you give to illustrators—to what extent do you just let them do their arty thing?
- Do you generally deal with agencies or go directly to the artists?
We’ve mostly been using Creative Commons–licensed Flickr images, Associated Press photos, Photofest, Mary Evans Picture Library (which doesn’t seem to work with Firefox on the Mac—grrr), cheap stock places like iStockPhoto, behemoths such as Corbis and Getty, and specialty archives such as USHMM. I’ve recently started trawling through the listings at PhotoServe, but I haven’t yet used anything from any of the agencies I found there. I’d also somehow never heard of the mega-agency Jupiter until last week.
We haven’t hired any illustrators yet, but we’d love to. Some illustration agencies I’ve been looking at are CIA and Riley. Also, the DrawMo! del.icio.us dump. Any advice or recommendations are welcome (the only illustrations I’ve ever commissioned in the past are maps for fantasy books; I’m not sure that’s the look we want).