E-reading application showdown, part 2: Typography

Early-twentieth-century photo of two women boxing

Cross-posted at Digital Book World. Part 1 is also on both this site and DBW.

When I first decided to try reading an e-book on my iPod Touch, I assumed—since I’ve been designing and typesetting book interiors for more than a decade and have strong opinions about what makes text readable and appealing—that poor typography would be my biggest complaint about the e-reading applications I tried. In the event, it turns out that as with print books, I’m much more tolerant of ugly, poorly set text than I expected. Just as I’m capable of losing myself in the pages of a cramped, blurry mass-market paperback if the story is one I want to read, so, too, can I block out consciousness of the less-than-ideal typography of an e-book viewed on a small screen. In fact, though I haven’t tried to empirically test this theory, I believe I might read novels faster on my iPod than I used to do on paper. Or maybe I comprehend better, or remember more of what I read.

Still, I’d rather have the option of making the text look good, and if an e-book’s appearance seriously offends me, I’m batty enough to crack it open and change it. I now actually get paid to do this, which sometimes feels like I’ve hit upon the best scam ever. (Other times, not so much. See below under anchovies.)

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Posted in e-books, Software, technology, typography | 3 Comments

E-reading application showdown, part 1: Annotations

Fencers

About two weeks ago, in a fit of pique, I posted some gripes about my current e-reading application of choice, which is Kobo for the iPhone/iPod Touch. I was pressed for time, so I didn’t provide any context, such as why Kobo’s is my favorite e-reading app, which apps I’ve chosen it over, and whether the things I find awesome and annoying about it are unique to Kobo or are universal across the e-reading–on–iOS world right now.

Here, finally, is the first in a series of posts providing that context. Specifically, I’ll be walking through five of the e-reading applications I’ve used on the iPod Touch, explaining what I see as the pros, cons, and OMFG-what-were-they-thinkings of each.

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Posted in Accessibility, books, Design, e-books, Software, technology, Tools, typography | 2 Comments

Because I am mean and like to rain on parades…

A parade in the rain

All day I’ve been seeing tweets from @kobo and friends about their having the No. 1 e-reading app in the iTunes store—e.g.,

Breaking News: Kobo #1 Rated eReading App on iTunes App Store http://t.co/pApB8j5
@KoboJason
Jason Gamblen | Kobo

I’m so happy for them.

No, really.

For several months now, Kobo’s iOS app has been, mainly because of the stats and the activity tracker, my e-reading application of choice. That said, it’s my app of choice in spite of several intense annoyances, so I’d like to take this opportunity to point out a couple of things that drive me up the fucking wall about it. From the support ticket I just submitted:

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Posted in advice, e-books, Rants, Software, technology, Tools | 1 Comment

What happens when an e-book gets corrected?

"No Parking" sign with the "n" inserted belatedly

So, here’s the partial answer to a question I’ve been wondering about:

Subject: Kindle Title [title] (ASIN:[ASIN]) has an available update

Greetings from Amazon.com.

We’re writing about your past Kindle purchase of [title] by [author]. The version you received contained some errors that have been corrected.

An updated version of [title] (ASIN:[ASIN]) is now available. It’s important to note that when we send you the updated version, you will no longer be able to view any highlights, bookmarks, and notes made in your current version and your furthest reading location will be lost.

If you wish to receive the updated version, please reply to this email with the word “Yes” in the first line of your response. Within 2 hours of receiving the e-mail any device that has the title currently downloaded will be updated automatically if the wireless is on.

You can find more information about Kindle related topics at our Kindle support site below. http://www.amazon.com/kindlesupport

We apologize for any inconvenience caused and thank you for your business with Amazon.

Sincerely,
Customer Service Department
Amazon.com
http://www.amazon.com

It’s a book I’ve already read, so I went to kindle.amazon.com to see if I had made any annotations. Turns out it’s one I’ve got multiple copies of (it was a freebie in all the major e-book stores for a while), so my markup’s on some other version. (If I’ve actually read an e-book, there is always markup; this is one of the biggest changes e-books have made to my reading habits.) I wrote back and said, “Yes.”

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Posted in books, business, e-books, Editing, Software, technology, Tools | 7 Comments

Cracking the coding code

Woman in 1940s garb standing in front of a huge machine with lots of rotors

Got an e-mail from a fellow book designer this morning asking, “Do you have a blog post about marking up a MS for the designer/typesetter?” Um, I couldn’t remember; had to search my own blog to find out. I found I’d written two posts in which such issues come into play—

  • May I take your order? (September 30, 2006)—in which I show the sample pages I prepared to instruct a typesetter on a moderately complicated book design
  • How stylish are you? (January 19, 2008)—in which I listed and explained the most common style names I use when marking up or laying out a bookish document

But both of these posts are written from the designer’s desk, whereas my friend was, he later explained, looking for information that might help a fledgling editor (in this case, an editorial intern) understand how to mark up a manuscript. To which I said, “Um, hello, the Chicago Manual?” I know there’s some discussion of markup right there in the front, but I realized I hadn’t consulted that section in the 15th edition in years, and I hadn’t yet checked it in the 16th edition at all. So I looked! And found that there is now a sizable chunk of appendix devoted to markup, with an eye toward producing multiple output formats—print, HTML, e-books, and more. That appendix is heavy going, though, and more theoretical than practical. How might a designer or production editor explain, in, say, under twenty minutes, how a clever intern should mark up a manuscript?

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Posted in advice, books, Design, Editing, production, Typesetting | 5 Comments

“you will need to pick an attractive font”

dartboard

An amazing opportunity! If only I were a cover designer . . .

Book Cover Designer Needed For Regular Work (Anywhere)


Date: 2010-09-13, 9:43AM EDT
Reply to: job-u6jz9-1951195804@craigslist.org


We are looking for a book cover designer for regular work. Have 10 book covers that will need to get done immediately.

Note that we will provide the background to use for each cover, you will need to pick an attractive font (some will be provided) as well as colors to match the background, position the titles appropriately and make sure the PDF file meets our formatting requirements.

Thus, no original design other than text and minor boxes here and there will be required.

Will have regular work. Pay is $15 per cover. Will have dozens of them every week. Payment through Paypal.

The following are required:

  1. Ability to work fast and meet deadlines.
  2. Illustrator/Photoshop Skills
  3. Good eye for fonts/colors and the ability/passion for making beautiful covers
  4. Excellent communication skills and availability by Skype email.

If interested please email with:

  1. BOOK COVER DESIGNER APPLICATION in Email Subject Line
  2. Resume.
  3. At least two relevant design samples
  4. A paragraph on why you think you’d be a good match for us.

Thank you for your time!

  • Location: Anywhere
  • Compensation: $15 per Cover (Paypal)
  • Principals only. Recruiters, please don’t contact this job poster.
  • Please, no phone calls about this job!
  • Please do not contact job poster about other services, products or commercial interests.

PostingID: 1951195804

(Spotted in new york craigslist > manhattan > jobs > art/media/design jobs by No. 2 Pencil.)

Photo: darts by sethstoll / Seth Stoll; some rights reserved.

Posted in books, business, Design, humor, outsourcing, Typesetting, typography, Work | 4 Comments

Having drunk the copy Kool-Aid

Rubber-gloved hand, four Kool-Aid packets, and some cups

I love this article by Lori Fradkin, “What It’s Really Like to Be a Copy Editor” (TheAwl.com, July 21, 2010), though I take issue with her opening example:

The word is douche bag. Douche space bag. People will insist that it’s one closed-up word—douchebag—but they are wrong. When you cite the dictionary as proof of the division, they will tell you that the entry refers to a product women use to clean themselves and not the guy who thinks it’s impressive to drop $300 on a bottle of vodka. You will calmly point out that, actually, the definition in Merriam-Webster is “an unattractive or offensive person” and not a reference to Summer’s Eve. They will then choose to ignore you and write it as one word anyway.

I know this because, during my three-plus years as a copy editor, I had this argument many, many times.

Me, I would have let “douchebag” stand—though I might have queried it, just as a formality. When Kristin Hersh tweeted re her forthcoming memoir, Rat Girl,

@kristinhersh: the poor copy editor at Penguin had to tell me that 'apeshit' is not one word, but two

I couldn’t help but reply as follows:

I say it depends on how it’s being used. RT @kristinhersh the poor copy editor at Penguin had to tell me that “apeshit” is not 1 word, but 2
Per Wordnik, the closed form of “apeshit” is by far the most common. @kristinhersh Show your CE: http://is.gd/bzHMe vs. http://is.gd/bzHOf.
.@kristinhersh Also, “An experienced copyeditor will recognize and not tamper with unusual figures of speech or idiomatic usage”—CMS 15:2.56

So, there.

(via @sarahmaclean)

Photo: Putting Kool-Aid in small containers by Breibeest; some rights reserved.

Posted in Editing, humor, Reading | 3 Comments

The India, Ink. comedy show

I made myself watch the archived video of the thesis presentation I gave yesterday afternoon, and it’s not as embarrassing as I’d expected, so I’m posting it for your amusement. There’s a full transcript after the jump, including the slides, since you can’t read them in the video; a few citations; and one correction. I probably said some other things that are inaccurate—particularly, I’m thinking, in my answer to Nancy Hechinger’s question about combination audio- and e- books at the very end. All I know about Enhanced BooksEditions is what I heard in their TOC presentation, to which I arrived late. Smackdowns welcome.

In defense of the presentation’s being, um, a bit vague in parts—like, the last several minutes before the Q&A—I’d like to point out that (1) I was still editing my slides until one minute before I had to step up to get miked, and (2) InDesign decided to crash as I tried to print my talking points cheat-sheet, and I hadn’t been done writing them, anyway, so I didn’t have much to go on, especially toward the end. I wung it. It’s not the most unprepared I’ve ever been for a presentation, but it’s in the top three, I’m pretty sure. Also, (3) I’d had less than two hours of sleep.

You should watch some of my classmates’ presentations, too. I saw only a handful of them—not even all those that took place after mine was over—and I doubt the videos do them justice, but I can attest that in person, the following presenters slew mightily: Neo (Sangzoon) Barc, Sara Bremen, Marco Castro Cosio, Jayoung Chung, Ozge Kirimlioglu, Carolina Vallejo, and Filippo Vanucci. Read More »

Posted in books, e-books, education, technology, Video | 12 Comments

New: Marginalia

I’ve added a sideblog to capture some of the things I come across in my daily lurking on the booktwitternet. It’s tucked in the middle of a lot of other junk right now, but when I have time, I’ll put it in its own sidebar. Should you wish to follow the sideblog via RSS, the address is http://feeds.feedburner.com/indiainkmarginalia.

Photo: Kellermann, Germany 1938 by lord enfield; some rights reserved.

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Three More Days

Thesis Book 2010

This Thursday at 12:40 p.m., I have to publicly present some sort of something about my vague and fugitive master’s thesis. The talk—about ten minutes’ worth—will be streamed online so you, my friends, can all point and laugh, and the video will be archived somewhere (hopefully somewhere dark and offline) after the event.

Oy vey.

In the meantime, I’m trying to figure out what the hell to say and show, and I’ve had to write a short description of my work for a (printed!!) book of my class’s thesis projects—a book that was, of course, laid out by me, who obviously had nothing better to do with my time. The following is the lofty prose I came up with, sometime between birds-tweeting-time and sunrise this morning: Read More »

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